![]() Laosheng roles include generals and high-ranking military officers with a more cultivated disposition than their real life counterparts. ![]() The senior male role is Laosheng, a dignified, older bearded man with a gentle and cultivated disposition, acting with decency. Each character type has its own set of performance conventions. The four basic roles, each of which has a number of subtypes, are Sheng (male), Dan (female), Jing (painted face), and Chou (male clown). The manifestation of each role during the performance indicates to the audience the gender, age, kindheartedness (or evil intentions), and physical beauty or ugliness of the character being portrayed. In the early days there used to be seven role categories, but as the art form developed they were divided into four main roles. The characters in the drama fit into a number of very specific roles. Looking at each of the players, you can tell their character by their costumes, painted faces, and their exaggerated movements help to tell the story. If you are watching Peking Opera, you can appreciate it without fully understanding everything you hear, because there are stylized roles and actions. ![]() ![]() Specifically, these skills are singing, dialog, dancing, and martial art. The drama is presented for the enjoyment of the audience through the medium of four specific skills of the performers. Peking Opera has a number of very predictable elements. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |